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Submissions from 2016

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Unhealed Cultural Memories: Styron’s Nat Turner, Shaun O'Connell

Submissions from 2015

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Revised Emblems of Erin in Novels by John McGahern and Colum McCann, Shaun O’Connell

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South African Solidarity with Palestinians: Motivations, Strategies, and Impact, Rajini Srikanth

Submissions from 2014

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Community University Project for Literacy (CUPL), Carol Chandler-Rourke

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The Academic and Cultural Adaptation of Chinese International Students at UMass Boston: The Struggles and Progress from the Perspectives of Students and Professors, PingPing Chen, Theodora Chocos, and Lorena Fuentes

Between the Novel and the News: The Emergence of American Women's Writing, Sari Edelstein

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Building Civic Participation of Undergraduates: UMass Boston’s Civic Engagement Scholars Initiative (CESI), Rajini Srikanth; Aminah Pilgrim; Office of Faculty Development, University of Massachusetts Boston; and Office of Community Partnerships, University of Massachusetts Boston

Submissions from 2013

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Community University Project for Literacy (CUPL), Carol Chandler-Rourke

American Blood: The Ends of the Family in American Literature, 1850-1900, Holly Jackson

Terrain Vague: Interstices at the Edge of the Pale, Manuela Mariani and Patrick Barron

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Home and Away: Imagining Ireland Imagining America, Shaun O'Connell

Submissions from 2012

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Community University Project for Literacy (CUPL), Carol Chandler-Rourke

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Why Mars?, Robert Crossley

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Mars and the Literary Imagination, Robert Crossley and David Sherman

Submissions from 2011

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Breaking the Rules of Discussion: Examples of Rethinking the Student-Centered Classroom, LaMont Egle, Evelyn Navarre, and Cheryl Nixon

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Addressing Plagiarism in A Digital Age, Eleanor Kutz, Wayne Rhodes, Stephen Sutherland, and Vivian Zamel

Submissions from 2010

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Constructing the Innocence of the First Textual Encounter, Alex Mueller, Cheryl Nixon, and Rajini Srikanth

Submissions from 2009

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Editors’ Note: NECIT, CIT, and Teaching Transformations 2009, Jay R. Dee, Vivian Zamel, and Mohammad H. Tamdgidi

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Race, Politics, and Public Housekeeping: Contending Forces in Pauline Hopkins’s Boston, Betsey Klimasmith

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Truth, Dorothy Shubow Nelson

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American Idols, Joyce Peseroff

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Why the Solidarity?: South Asian Activism for Palestine, Rajini Srikanth

Submissions from 2008

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Editors’ Note: Teaching Transformation, Mohammad H. Tamdgidi and Vivian Zamel

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Beyond the Clip: Critical Uses of Film in the Non-Film Course, Leonard Von Morzé

Submissions from 2007

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Climate. A Period of Consequence: Environmental Literature of 2006, Shaun O'Connell

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Fanon, Guantánamo, and We the People, Rajini Srikanth

Submissions from 2006

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Reaching Across No-Man’s-Land: The Israeli/Palestinian Conflict in Yuli Cohen-Gerstel’s Film, My Terrorist, Linda Dittmar

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Boston and New York: The City Upon a Hill and Gotham, Shaun O'Connell

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Moderator Commentary: Not Just Surviving but Fully Relishing the Borderlands, Defiantly and Triumphantly, Rajini Srikanth

Submissions from 2005

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Important Places, Shaun O'Connell

Submissions from 2003

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Tip O’Neill: Irish-American Representative Man, Shaun O'Connell

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Wars Remembered, Shaun O'Connell

Submissions from 1993

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Good-bye to All That: The Rise and Demise of Irish America, Shaun O'Connell

Submissions from 1992

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New York Revisited, Shaun O'Connell

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Two Nations: The Homeless in a Divided Land, Shaun O'Connell

Submissions from 1991

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Representative Men, Shaun O'Connell

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Touched by Fire: Readings in Time of War, Shaun O'Connell

Submissions from 1990

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The Vision Thing, Shaun O'Connell

Submissions from 1989

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Thinking of England, Shaun O'Connell

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Vantage Points: Prose Parables of the Republic, Shaun O'Connell

Submissions from 1988

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Recommended Readings, 1988, Shaun O'Connell

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The Big One: Literature Discovers AIDS, Shaun O'Connell

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Accounts of an Illness: Extracts, Ron Schreiber

Submissions from 1987

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In Search of Lost Cultures: Books 1987, Shaun O'Connell

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Remembering Who We Were: Boston Books, 1986, Shaun O'Connell

Submissions from 1986

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Book Reviews: Divided Houses, Shaun O'Connell

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Imagining Boston: The City as Image and Experience, Shaun O'Connell