Submissions from 2015
'Furor' as Failed 'Pietas': Roman Poetic Constructions of Madness through the Time of Virgil, Emily A. McDermott
Submissions from 2011
Ovid, Christians, and Celts in the Epilogue of Charles Frazier's Cold Mountain, Emily A. McDermott
Review of Sidwell, Aristophanes the Democrat, in New England Classical Journal 38 (2011), 290-92., Kenneth S. Rothwell Jr.
Submissions from 2010
‘The Metal Face of the Age’: Hesiod, Virgil, and the Iron Age on Cold Mountain, Emily A. McDermott
Submissions from 2009
Mr. Chipping and Mr. Hundert: Manliness, Media, and the Classical Education, Emily A. McDermott
A Depiction of a Comic Mythological Burlesque?, Kenneth S. Rothwell Jr.
Submissions from 2008
Playing for His Side: Kipling’s ‘Regulus,’ Corporal Punishment, and Classical Education, Emily A. McDermott
‘The Despair of his Tutor’: Latin as Socioeducational Marker in Les Trois Mousquetaires, Emily A. McDermott
Submissions from 2007
Review of Inge Nielsen, Cultic Theatres and Ritual Drama in American Journal of Archaeology, on-line reviews, Vol. 111.1:, Kenneth S. Rothwell Jr.
Submissions from 2004
Frazier Polymetis: Cold Mountain and the Odyssey, Emily A. McDermott
Submissions from 2002
Homer, Pietas, and the Cycle of Duels in Aeneid 10 and 12, Randall Colaizzi
Submissions from 2000
Euripides' Second Thoughts, Emily A. McDermott
Every Man's an Odysseus: An Analysis of the Nostos-Theme in Corelli's Mandolin, Emily A. McDermott
Submissions from 1999
An Ovidian Epigraph in Jude the Obscure, Emily A. McDermott
Submissions from 1996
Propertius on the Site of Rome, Kenneth S. Rothwell Jr.
Submissions from 1994
Was Carcinus I a Tragic Playwright?, Kenneth S. Rothwell Jr.
Submissions from 1991
Double Meaning and Mythic Novelty in Euripides' Plays, Emily A. McDermott
Submissions from 1988
Classical Allusion in the Count of Monte Cristo, Emily A. McDermott
Submissions from 1987
Medea Line 37: A Note, Emily A. McDermott
Submissions from 1984
Euripides and the Decline of Character: A Soap Opera Connection, Emily A. McDermott
Submissions from 1982
Horace, Maecenas and Odes 2.17, Emily A. McDermott
Submissions from 1981
Greek and Roman Elements in Horace's Lyric Program, Emily A. McDermott
Submissions from 1979
The 'Unfair Fight': A Significant Motif in the Aeneid, Emily A. McDermott
Submissions from 1977
Horatius Callidus, Emily A. McDermott