Date of Award


Document Type

Campus Access Thesis

Degree Name

Master of Fine Arts (MFA)


English/Creative Writing

First Advisor

Joyce Peseroff

Second Advisor

Suji Kwock Kim

Third Advisor

Lloyd Schwartz


Hekaton is a narrative sequence of poems about four characters grappling with and experiencing gender, perception, sexuality, club life, modernity, bass music, self-hatred, cultural expectations, and physicality. The poems are wildly divergent in style, content, and form. The thesis was conceived of as an attempt to fashion a poetic equivalent to the long, discursive novels of the twentieth century, prominent among them Ulysses and Infinite Jest for the purposes of the thesis. In creating the narrative, an alternate sort of universe is fashioned where mythology is active, alive, and presently affecting the world. Gender is constantly grappled with, as is the nature of desire, and the poems frequently oscillate between realities in an attempt to mirror altered perception. The main character Rho is going to a club when he encounters his friend Hek, a hundred-hander from greek mythology. Along the way, Rho passes a Fury named Erin, who is seen frantically cursing. Rho enters the club and meets a dancer named Chi, an ambiguously-gendered club-goer who hits it off with Rho immediately. Meanwhile, after being denied entrance back into the club, Hek defeats the bouncer who, as it turns out, is Uranus, his titan father. Erin, who up until this point had been growing fond of Hek, is now forced to kill him - it's her job as a Fury. Hek manages to dodge the attack, and all four flee the club as the cops show up. The four scatter, travelling home separately, together, and dealing with the fall out intimately, intensely, and occasionally playfully. The gender of all four characters is examined, doubted, and changed - the nature of perception, sexuality, and bodies are changed and examined with intensity. Along with general theories of gender, the quality and necessity of masculinity is eroticized and questioned, delving into maleness in a way similar to the pressure society places on femininity. Ultimately the characters are figuring out their gender and selfhood in relation to each other, in motion, and it is this kinesis that drives the whole of Hekaton.


Free and open access to this Campus Access Thesis is made available to the UMass Boston community by ScholarWorks at UMass Boston. Those not on campus and those without a UMass Boston campus username and password may gain access to this thesis through resources like Proquest Dissertations & Theses Global or through Interlibrary Loan. If you have a UMass Boston campus username and password and would like to download this work from off-campus, click on the "Off-Campus UMass Boston Users" link above.