Date of Award
6-1-2013
Document Type
Open Access Thesis
Degree Name
Master of Arts (MA)
Department
Historical Archaeology
First Advisor
Stephen Mrozowski
Second Advisor
Stephen Silliman
Third Advisor
Rae Gould
Abstract
This thesis examines the lithic assemblage from the 2005-2012 field seasons at the Sarah Boston site in Grafton, Massachusetts. The Sarah Boston site is associated with a multi-generational Nipmuc family living on the site during the late 18th through early 19th centuries. In total, 163 lithic artifacts, primarily quartz flakes and cores, were found throughout the site with concentrations north of a house foundation associated with the Nipmuc family. Reworked gunflints and worked glass were examined as examples of lithic practice associated with artifacts that are conclusively datable to the period after European arrival. Presence of quartz artifacts in an undisturbed B-horizon demonstrates a much-earlier Native component to the Sarah Boston site. Lithics and ground stone tools present in the later intact midden deposit demonstrate that the Nipmuc family interacted with these materials. Given the concentration of flakes found within the midden, it is likely that some portion of these flakes as well as the reworked gunflints and knapped glass were actively used, and perhaps produced, by the occupants of the house as an alternative or replacement of other tools, including iron. This thesis concludes that the practice of knapping persisted on this site into the 19th century indicating a cultural continuity of Nipmuc cultural practices and identity in addition to the adoption of European-produced ceramics, iron knives, and other later materials.
Recommended Citation
Bagley, Joseph, "Cultural Continuity in a Nipmuc Landscape" (2013). Graduate Masters Theses. 159.
https://scholarworks.umb.edu/masters_theses/159
Included in
Archaeological Anthropology Commons, Indigenous Studies Commons, Social and Cultural Anthropology Commons