The author argues that traditional macro-level methods of gathering data on populations create an impersonal depiction of the group. A useful pedagogical tool for teachers to counter this is to use fictional accounts in film and literature to put a more human face on the subjects being studied. Two films, Bread and Roses and El Norte, are used in this way to enhance or add another dimension to studies of the labor experience of Latino immigrants in the United States. The films are looked at through various sociological theories, Assimilation, Competition, and Neo-Marxist. The author concludes that Neo-Marxist theory best predicts the types of conflict and solidarity portrayed in the films.
"The Latino Immigrant Labor Experience as Depicted in Film,"
Human Architecture: Journal of the Sociology of Self-Knowledge: Vol. 7
, Article 11.
Available at: https://scholarworks.umb.edu/humanarchitecture/vol7/iss1/11